by Temi Oh ‧ RELEASE DATE: Aug. 15, 2023
An emotional tale exploring light and dark and the gray areas in change and progress.
In the near future, technology brings minds and dreams together—but to what end?
Despite her family’s concerns, Moremi is elated to receive a Pulse, which will finally allow her brain to tap directly into the internet. With the Pulse, Moremi no longer has to be alone: She can message everyone she knows from inside her head or run a search on anything she sees or anything she might wonder. Meanwhile, Orpheus’ father has raised him alone on an island, dodging the authorities, until a misstep sends him into a London full of technology that he doesn’t wholly trust. As Orpheus learns how to use the Pulse to manipulate dreams, Moremi continues to seek solutions for her depressive episodes, and the two will eventually find themselves in each other’s lives. Meanwhile, technology and politics entwine as, on one side, the inventors of the Pulse push for technological singularity while, on the other, Revelators like Moremi’s sister advocate for a more analog lifestyle. Moremi and Orpheus simply want to focus on their own lives and concerns, but plans have been made since before they were born that they may never escape. The world of dreams blends seamlessly with the world of big tech as author Oh explores the drawbacks and positive aspects of living plugged in. The depiction of a near-future London easily portrays the diversity of the country—Moremi is British Nigerian, and Orpheus is mixed race—and deftly underscores the inequalities and problems that are still present. While the pacing leaves time for the reader to sink into emotions, the plotting is tightly crafted, weaving science fiction, mythology, and more to tell a tale that feels pertinent right now.An emotional tale exploring light and dark and the gray areas in change and progress.
Pub Date: Aug. 15, 2023
Page Count: 544
Publisher: Saga/Simon & Schuster
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Pub Date: June 16, 2020
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Olivie Blake ‧ RELEASE DATE: Aug. 8, 2023
A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.
The latest in a series of rereleases from a prolific fantasist’s previously self-published works is a contemporary spin on the fairytale “Godfather Death.”
Viola Marek is an aswang, a shapeshifting vampire from Filipino folklore. She’s also a Chicago real estate agent trying to sell a mansion even while the ghost of its last owner, Thomas Edward Parker IV, is doing his supernatural best to block the sale. In a desperate attempt to earn her commission, she hires Fox D’Mora, Death’s mortal godson, to use his connection to get the ghost to leave. Unfortunately, Death is unavailable: He’s been kidnapped, and to get him back and prevent a worlds-spanning catastrophe, Fox, Vi, the ghost, and assorted other supernatural creatures will have to enter a high-stakes gambling game that usually only immortals can play…but rarely win. The story begins with an unusual blend of myth, fairy tale, and cosmology and inevitably descends to an almost unbearable level of sentimentality, which is simultaneously a refreshing change from Blake’s usual tableau of self-involved, selfish characters who seem driven toward tragedies of their own making. Blake could definitely do a better job at showing the love between characters rather than merely telling the reader that they’re in love. She also has an unfortunate tendency to skip potentially intriguing bits of backstory if they don’t immediately drive the plot along, which is why readers never learn anything about Fox’s childhood and what it was actually like having Death as a parent. Nor does she explain why only two of the four archangels, Gabriel and Raphael, play outsize roles in determining the order of the cosmos, while Uriel and Michael are nowhere to be seen. Bits of anachronism—like the use of a rubber band as aversion therapy 200 years ago or the presence of a magical wristwatch from a time long before watches were common—might be intended to be Pratchett-style humor or chalked up to magic? It’s hard to tell what’s intentional and what is simply careless. Now that Blake has a traditional publisher, perhaps the editors of her future novels will guide the author to address these issues when they arise.A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.
Pub Date: Aug. 8, 2023
Page Count: 416
Review Posted Online: Aug. 19, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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